Temp fix that addresses the Apple Color 1.0.3 and 1.0.4 issue causing a red/blue channel swap.

A quick description on how Apple’s update of Color version 1.0.3 and 1.0.4 made the application unusable for professional productions that work in frame based setups.

Starting off our behind the scenes series, this first installment tells the painful and treacherous story behind the photography that you see all over this site and how it all came together.

Find out who created the imagery and why we chose them.

As a still photographer you may think: That’s all very well but what about us? Fret not we have you in mind as well. Here’s a quick tip on a possible workflow and hopefully some feedback from a few still shooters soon.

A little sneaky peek of our look library

Working across the web has its caveats when you do color sensitive work. These are a few tips on saving your production budget working with small teams across the globe. Also works for large teams, but they most likely have that solved already

Will Cinelooks support RED looks? Short answer is yes. For a more in-depth answer addressing the multitude of ways we’re doing it, read the full story.

How can it help the industry as a whole if we give rookies a stage to present their work to a wider audience? We should help them get to a point where their looks become sellable and create a win-win situation for both sides.

As soon as we’re adding the real blog section, you’ll see it right here, so stay subscribed!